Catherine Wheel - Ferment
View all products by: Catherine Wheel
PRODUCT & AVAILABILITY
Format: Vinyl
Condition: New
Available in store: ✖
Available for shipping: ✖
Catherine Wheel - Ferment is backordered and will ship as soon as it is back in stock.
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Description
Classic Black Vinyl
Centered around re-recorded versions of four songs from the band's two Wilde Club singles and the seven-minute lovelorn "Black Metallic" - which was referred to as the "Like a Hurricane" of the '90s - the deeply rich Ferment firmly established Catherine Wheel amongst the shoegaze contingent of the early '90s. The band would proceed to denounce the shoegaze tag, but it was a fitting one, at least with everything they released prior to 1993's harder edged Chrome. Along with bands like Lush, Ride, and Slowdive, Catherine Wheel buried their sing-along melodies in wafts of distortion and blurry production values. Rob Dickinson had yet to find comfort as a lead singer, so his somewhat fey and dazed emoting blended perfectly with Tim Friese-Greene's comfy production. A fair amount of the bands thrown into the same category as Catherine Wheel were criticized for lacking knowledge of their instruments, but a couple listens to Ferment should prove that they were hardly amateurish. The employment of numerous guitar pedals didn't serve as a smoke-and-mirrors ruse, and Friese-Greene knew enough to allow room for bassist Dave Hawes and drummer Neil Sims to flex their able muscles. Dickinson and lead guitarist Brian Futter were immensely skilled and complementary to each other from the band's inception; certainly they were one of the most unrecognized guitar duos of their stylistic brethren. Like all fine debuts, Ferment is varied emotionally, ranging from lust ("I Want to Touch You") to bliss ("Shallow" and "Salt"). It's a record that makes you want to crawl inside its sleeve and remain. It's as welcoming as it is insular and sheltered. ~ Andy Kellman, Rovi
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Delivery and Shipping
Delivery and Shipping
Enjoy fast, free shipping on all U.S. orders over $50! We use Mighty Music Mailer shipping boxes to ensure safe arrival of your records. Returns accepted within 30 days.* Shop with confidence at Saint Marie Records!"
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Care Information
Care Information
Record Care Tips:
- Handle records by the edges to prevent fingerprints and smudges.
- Store records upright in a cool, dry place away from direct sunlight.
- Use a soft, anti-static cloth to clean records before and after each play.
- Avoid stacking records to prevent warping.
CD Care Tips:
- Always handle CDs by the center hole and outer edges to avoid scratches.
- Store CDs in their original cases to prevent dust and damage.
- Clean CDs with a soft, lint-free cloth by wiping straight from the center outwards.
- Keep CDs away from extreme heat and direct sunlight to prevent warping.
Clothing Care Tips:
- Wash clothing inside out with cold water to preserve print and fabric quality.
- Use a gentle cycle and avoid harsh detergents or bleach.
- Air-dry clothing or tumble dry on low to prevent shrinkage and damage to printed designs.
- Iron clothing inside out on a low setting if necessary, avoiding direct contact with printed areas.
Description
Description
Classic Black Vinyl
Centered around re-recorded versions of four songs from the band's two Wilde Club singles and the seven-minute lovelorn "Black Metallic" - which was referred to as the "Like a Hurricane" of the '90s - the deeply rich Ferment firmly established Catherine Wheel amongst the shoegaze contingent of the early '90s. The band would proceed to denounce the shoegaze tag, but it was a fitting one, at least with everything they released prior to 1993's harder edged Chrome. Along with bands like Lush, Ride, and Slowdive, Catherine Wheel buried their sing-along melodies in wafts of distortion and blurry production values. Rob Dickinson had yet to find comfort as a lead singer, so his somewhat fey and dazed emoting blended perfectly with Tim Friese-Greene's comfy production. A fair amount of the bands thrown into the same category as Catherine Wheel were criticized for lacking knowledge of their instruments, but a couple listens to Ferment should prove that they were hardly amateurish. The employment of numerous guitar pedals didn't serve as a smoke-and-mirrors ruse, and Friese-Greene knew enough to allow room for bassist Dave Hawes and drummer Neil Sims to flex their able muscles. Dickinson and lead guitarist Brian Futter were immensely skilled and complementary to each other from the band's inception; certainly they were one of the most unrecognized guitar duos of their stylistic brethren. Like all fine debuts, Ferment is varied emotionally, ranging from lust ("I Want to Touch You") to bliss ("Shallow" and "Salt"). It's a record that makes you want to crawl inside its sleeve and remain. It's as welcoming as it is insular and sheltered. ~ Andy Kellman, Rovi
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