Wisp’s If Not Winter works because it keeps shoegaze readable. The guitars stay thick, the melodies stay clear, and the best tracks hit fast even when the album leans heavily...
Saint Marie |
Placebo’s RE:CREATED works best when the band treats its 1996 debut like a set of songs still worth pushing around, not just preserving. The familiar cuts hit harder, and a...
Saint Marie |
Monstrosity’s 2026 album lands because it favors control, riffs, and veteran songcraft over empty retro worship or brute-force excess.
Saint Marie |
Private Music works because Deftones don’t try to become a different band. In 2025, they sound tighter, heavier, and more precise, with Chino Moreno and a compact sequence doing a...
Saint Marie |
Nothing’s 2026 album A Short History of Decay is strongest when its heavier shoegaze instincts collide with riskier structures, breakbeats, and vulnerable writing, even if parts of it slip back...
Saint Marie |
The Great Divide doesn’t try to turn Noah Kahan into a different artist. It makes his confessional folk bigger, roomier, and occasionally better, while also exposing where that familiar approach...
Saint Marie |
On Lux, Rosalía builds pop with the pacing and scale of a carefully staged film, turning structure, orchestration, and standout songs into one of 2025’s most striking releases.
Saint Marie |
Bad Bunny’s Debí Tirar Más Fotos works because its return-to-Puerto-Rico theme is carried by the music itself: salsa, plena, bolero, perreo, and urbano arranged with real discipline from start to...
Saint Marie |
Playboi Carti’s 2025 album MUSIC is at its strongest when his voice does the heavy lifting, shifting between raspy lows, pitched-up flashes, and layered effects that keep a sprawling record...
Saint Marie |
Lorde’s 2025 album Virgin works best when its jagged synths, blunt writing, and pop hooks all pull in the same direction. It’s a strong, uneasy record that doesn’t always land...
Saint Marie |
Toadies return in 2026 with a stripped-down, guitar-first record that leans on directness, sharp hooks, and the band’s old muscle without turning into a nostalgia trip.
Saint Marie |
Gorillaz return in 2026 with a 15-track record shaped by Indian musical influence, grief, and heavy collaboration. The Mountain is richly built and often striking, even when a few songs...
Saint Marie |
Johnny Blue Skies makes a loud, filthy, politically charged left turn on Mutiny After Midnight, but the real story is how tightly the grooves hold together.
Saint Marie |
Glare’s Sunset Funeral works because its hazy shoegaze pull keeps running into harder riffs, tighter percussion, and flashes of alt-metal and hardcore weight.
Saint Marie |
Bully arrives in 2026 framed like a reset for Ye, and there are real signs of tighter focus. But cleaner production and a few strong tracks can’t hide an album...
Saint Marie |
Whether you're lost in nostalgia for the band’s heyday or curious about what they’re offering now, Songs of a Lost World is well worth the listen.
Wyatt Parkins |
